Does Conspiracy Extend to Musical Scale?

Posted: September 1, 2010 in Mind Control, Music Art and Hollywood
Tags: , , , , ,

Source: L.C. Vincent for Dr. Henry Makow, August 31, 2010
Published here: Wednesday, September 1, 2010 @ 7:19 AM

Prologue

Vibration throughout the frequency spectrum of sound, heat, and light, is the organizational principle of matter.  Sound is the organizational principle of our Universe, of physical matter and most importantly, living matter.

The science of Cymatics illustrates that when sound waves move thru a physical medium (air, water, sand, metallic particles, etc.) the frequency of the waves has a direct effect upon the structures which are created by the sound waves as they pass thru that particular medium.  YouTube videos show these fascinating patterns and arrangements here:

http://www.youtube.com/watch?v=GtiSCBXbHAg

Sound is also the basis for form and shape:

http://www.youtube.com/watch?v=05Io6lop3mk&feature=related

CONSPIRACY

Imagine an incredibly powerful, wealthy person who secretly prospers from conflict, disease and war learns that certain sound frequencies (those easily divisible by two, signifying opposition) create conflict, discord and disharmony while those divisible by three  (signifying balance, polity, reconciliation, harmony) produce symmetry, and visually harmonic, pleasing structures.

Now imagine that he has the power to establish the tuning standard of all musical instruments throughout the Western World.

Imagine that he bases the entire scale of musical artistic creation upon a frequency which would skew vibrations towards discord.

It sounds like science fiction.  Yet this is exactly what transpired in September 1939 when Rockefeller (Illuminati) financial interests dictated that the standard tuning for the note of “A” above middle C would henceforth be said to vibrate at precisely 440 cycles per second.

This unnatural standard tuning frequency, removed from the symmetry of sacred vibrations and overtones, has declared war on the subconscious mind of Western Man.

The standard tuning fork, which is set to vibrate the note “A” above middle C at 440 cycles per second, is based upon a frequency only divisible by two rather than three, which means that all of the musical notes both above and below it are affected.

Despite the apparent “sweet music” a symphony orchestra can produce, when all instruments are tuned based on the A=440Hz key frequency, they are covert weapons no matter what “music” they may be playing.

These destructive frequencies entrain the thoughts towards disruption, disharmony, disunity.  Additionally, they also stimulate the controlling organ of the body — the brain — into disharmonious resonance, which ultimately creates disease and war.

“MILITARIZATION OF MUSIC”

In a paper entitled “Musical Cult Control,” Dr. Leonard Horowitz writes:

The music industry “…features this imposed frequency that is ‘herding’ populations into greater aggression, psycho social agitation, and emotional distress predisposing people to physical illness….” while the agents of this conspiracy provide ‘therapeutic’ pacification in the form of myriad psychotropic drugs and tranquilizers for the stress they purposely created, and chemotherapy for the more serious illnesses it inspires.”

He says, “Energy (vibration) impacts “life” (biology) and our bodies through the most common medium of life:  water.  Our body weight, which is nearly 80 percent water, vibrates and resonates to frequencies, and frequencies entrain our physical matter as well as thought processes.  Light and sound have been shown as the primary drivers of intercellular communication, which indicates that our health, or lack of it, may indeed by a product of the vibrational resonance of sound and light.”

As noted, the Rothschild-Rockefeller (Illuminati) alliance chose “….to determine the musical factors capable of producing psycho pathology, emotional distress and ‘mass hysteria.’”

BAD VERSUS GOOD VIBRATIONS

The initial effort to make A=440 Hz the basis of standard tuning took place in 1910 when the Rockefeller Foundation issued a grant to the American Federation of Musicians to popularize the concept.  The initial effort failed.

However, the BSI — British Standards Institute — officially adopted A=440 Hz in 1939, promoted by the strange consortium of Rockefeller Foundation influence and the Nazi government.  Ironically, The British adopted a tuning standard promoted by the Third Reich, just as both went to war.  While 440Hz had been rejected by British musicians only 3 months prior, Josef Goebbels persuaded the BSI to adapt 440Hz saying it was of extraordinary importance.

As Dr. Leonard Horowitz concludes:  “Music bioenergetically affects your body chemistry, psycho  neuro immunology, and health.  Your body is now vibrating musically, audibly and subliminally, according to an institutionally imposed frequency in harmony with aggression and in dissonance rather than vibrating in harmony with Love.”

Musical instrument tuning using the artificially imposed standard of A=440Hz may promote physical and mental disease and distrust, while effectively suppressing spirituality, intuition and creativity.  This universal tuning frequency has been empirically shown to suppress the creative, intuitive aspects of our mind, while negatively affecting our body chemistry and our immune systems.

CONCLUSION

I don’t know if anyone can prove a direct link between aggression, disassociation, paranoia and violence to a tuning system that was promoted by both the Rockefellers and the Third Reich.  However, just the fact that these two entities came together to push this standard is more than suspicious in my mind.

Although more than a few people have made the connection between the music of John Philip Sousa and his marching music as a stimulus to war, that specific link is in reference to composition, not frequency and vibration based on a tuning system.
Intuitively, I think my sources are correct.  But how does one go about proving that a specific frequency tuning is creating social stress, disharmony or physical violence and war? But the fact that the Rockefellers and the Third Reich pushed this tuning standard over the opposition of British musicians makes it suspicious, even sinister.”
The Rockefeller–Illuminati axis, their money and research, imposed this artificial tuning “standard” upon Mankind for the purpose of creating chaos. It continues to this day to funnel our minds and emotions along paths of negativity.  It is high time for new, good vibrations to become ascendant and a “new standard” of vibrational tuning to emerge.   It is time for the power of Love to triumph!

L C Vincent

lcvincent88@bigstring.com

Mr. Vincent was a professional musician for 7 years and has a very nice collection of guitars along with a wonderful Yamaha keyboard. He has had a passionate love of music since age 6 — while most children had a TV for a baby sitter, he had a radio — and controlled that dial!

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Comments
  1. Susan B. says:

    I remember being in violin lessons as a small child and my teacher telling me how A, which is the main string on a violin, used to be tuned to one thing but now was a bit higher.

    This “proper” A always bothered me. I didn’t like the strident sound of the tuning fork, and I felt tense playing on a freshly tuned instrument. Over time, however, the tuning naturally slips down, and it would begin to feel much more soothing to play. I resented it when my teacher would notice, however, and do the diligent thing and tune it back up. When I was older and had strong enough hands to tune it myself, I would tune my violin back to a lower A that sounded right, using the tuning fork only as a general guide.

    Funny, I never would have thought anything more of it if I hadn’t read this article. I now enjoy playing music on a piano which hasn’t been tuned for many years. It is soothing and inspiring, but I know that whenever I have played a new or well maintained piano, I couldn’t get away from it fast enough.

    As a young adult I spent time around music students at a major university, and they were all going mad, attempting suicide, getting drunk and taking drugs with a blind desperation. That doesn’t really make sense when “music hath charms to soothe the savage beast”, does it? I tried a piano there in a practice room and never went back.

    The only trick is this, Leonard Horowitz is now suggesting we use a frequency that instantly makes people feel huge waves of love. A good idea when the world is a mess and the ugly truth needs rigorous exposure?

  2. IAmLonefrog says:

    Curious little thought just popped into my head………

    Uni = One
    Verse = Song

    Unfortunately it didn’t stop there (rarely ever does) and I started connecting the dots much to my dismay.

    @ 4:46 (second video) the narrator says “When the wave lengths are short these currents produce a rotary effect”. Sorta reminded me of a hurricane, most likely because I just got finished reading an article about “Earl” threatening the east coast.

    While watching the same video I noticed that they were using different materials on the metal vibrating plate along with various wave lengths, and in turn different patterns were emerging.

    Then I remembered that the clouds are being “seeded” aka chemtrails along with our bodies via vaccines, pharmacuticals, HFCS, aspartame, so on and so forth. Now unleash the the wonders of Cymatics via the HAARPs from around the globe and viola!

    Not even a conspiracy really, when it is all laid out for you.

    Make no mistakes, it is your loosh “they” are after.

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